Absolutely essential solo recordings from Acid Mothers Temple leader Kawabata Makoto. Inspired by the legendary Popol Vuh album Hosianna Mantra...... (more)

O Si Amos A Essere Duas Umbras? is comprised of two epic, deeply meditative, spiritual and transcendental compositions. Track one, titled "Ses Aintro ‘e mene finzas Si Ses In S'Atter'Ala E Su Mundu" is the very first solo track Kawabata has ever recorded on an acoustic guitar. Filtered through 3 reverb units and a single delay this epic acoustic track starts off droning but quickly builds with reverb drenched and finger picked momentum light years away from any of Kawabata's solo guitar work.

"...Weaving shimmering phrases and drones, Makoto
brings to mind the soundscapes of Robert Fripp's more
recent solo releases, especially Fripp's collaboration
with Jeffrey Fayman, A Temple in the Clouds..." -Igloo

AcidMothersGuruGuru features Mani Neumeier from the legendary and influential German Krautrock group Guru Guru as well as Kawabata Makoto and Atsushi Tsuyama from Japan's holy Acid Mothers Temple. The result is a trans-generational psych blowout!.... (more)

Heaviest Acid Mothers record ever. . Kawabata went as far as to, half jokingly, compare this album to Sunn O)))). Our last Acid Mothers Temple full length quickly became many people's favorite and this one is sure to give it some serious competition. Just check out the mp3......(more)

Brand new full length album from the Acid Mothers Temple & The Melting Paraiso UFO featuring their recent addition, female vocalist Kitagawa Hao. Recorded over a period of four months at The Acid Mothers Temple this is a very clean sounding and polished AMT. Kawabata Makoto admitted, only half joking, that this has the “cleanest sound in AMT history! “ (more)

Space Machine is Yamazaki Maso's solo synth-psych side project. This single cd release includes both the Space Machine 3 studio sessions as well as Space Machine live at Big Cat in Osaka, Japan with Makoto Kawabata of The Acid Mothers Temple

Constellation Of Tragedy is the sixth full length album from Japan's LSD March. Apt comparisons are often made of LSD March being a cross between the Velvet Underground and Les Rallizes Denudes. (more)

Heavy lyrical emotion transcends linguistic barriers and Pirako's blown out fuzzy free-dream guitar work is an alternate universe heavy Japanese shoegaze. They are a forest at night drenched in echoing reverb and soaked with deeply spiritual/emotional melodies. . (more)