Sound sculptures and gongs by Harry Bertoia unite the sides of this split LP from Tara Jane O'Neil and Eleh. Packaged in deluxe letterpress printed jackets in an edition of 800. The first 300 copies are on metallic gold vinyl.
O'Neil's composition was commissioned by Venessa Renwick for her Medusa Smack video installation (originally screened in 2012 at the Oregon Biennial). The piece is partially comprised of sounds recorded by Harry Bertoia on his own Sonambient sound sculptures, as well as a recording Tara made of Athanasius Kircher's Bell Wheel at the Museum of Jurassic Technology.
Eleh's side consists of 100 gongs synthesized on a Serge modular system to honor the centennial of Bertoia's birth in 2015.
A titled, signed and numbered screen print of the cover artwork is available.